Dubliners 100 is a collection of 15 short stories, just like James Joyce's original short story collection, Dubliners, but each one written by a contemporary Irish wirter. They are not re-written stories or modernizations of the original work, but editor Thomas Morris thought of the idea of making 15 "cover versions" like in pop music.

Dubliners 100 was released on the 100th anniversary of the publishing of Joyce's Dubliners. While Joyce wrote about the everyday middle-class people of Dublin, the new stories reflect these people 100 years later and speaks to our time.

Marie chats with Thomas Morris, the editor of Dubliners 100 about how he got the idea for the book and how the project got started. He talks about how he chose well-known contemporary Irish authors as well as up and coming emerging writers. Thomas discussed how these creative works of fiction have also become commentary and interpretation of the original Joyce.

Authors contributing to the stories in Dubliners 100 are: Patrick McCabe, Mary Morrissy, John Boyne, Donal Ryan, Andrew Fox, Evelyn Conlon, Oona Frawley, John Kelly, Belinda McKeon, Michèle Forbes, Paul Murray, Eimear McBride, Elske Rahill, Sam Coll, Peter Murphy, and including an Introduction by Thomas Morris.

Marie speaks with her colleagues, specialists of historical performance, about their original wind instruments. They tell the stories of their favorite instruments - where and how they got them, and what they had to do to play it again today!

German oboist, Peter Wuttke, talks about the English Horn by Carl Theodor Golde that was played in the orchestra in Weimar that Liszt was conducting. He tells us about how he used this instrument for a recording of the Liszt Dante Symphony.

Italian clarinetist, Luigi Magistrelli, tells us the incredible story of his set of clarinets that he acquired from the legendary player, Dieter Klöcker, just before his death. We hear all about these instruments, their history, and Luigi's personal experience of playing them and recording his CD of Brahms chamber music with them.

Argentinian historical trumpet player, Alejandro Sandler, chats with us about his cornet by Thibouville-Lamy which was owned by a student of Jean-Baptiste Arban. He plays the Carnival of Venice on this cornet and on the modern trumpet so you can hear the difference!